Tag Archives: art

Howard Coates created stunning maps for The Fey Man

Artist Howard Coates on The Fey Man Maps

I recently unveiled the gorgeous new maps for The Fey Man, drawn by artist Howard Coates. Here a few words from the man himself about the process of creating those maps.

I grew up loving fantasy worlds such as Discworld and The Lord of the Rings. Whilst reading I would often pore over the maps they had created, firmly believing that having a decent overworld to refer to enriched the text no end. In more recent times I have been taken by the fantasy worlds in video games such as Skyrim and Dragon Age, where the interactive maps are as much functional as they are visually arresting. I drew upon these varied past experiences as guidance and sometimes confirmation of the success of my ideas.

Howard and I both wanted to take all the best aspects of the maps we loved to create something special for The Fey Man. Howard stayed faithful to my original maps but the care he took over every detail was incredible.

The process was an iterative one, with lots of feedback from James along the way. I was very committed to getting all the details right, even down to the shapes of rocks and types of trees. Whenever I work with a fellow creative I want to make them feel as involved as possible as it is their creation after all!

The technical aspects of the job were fairly basic, I wanted it to have a homemade look so relied on Photoshop only for compiling and tweaking the sketches. Every line was hand rendered and I feel that captures the charm of the world somewhat. I reflected upon aspects of the story; Katharine has maps that are very precious to her and I wanted to make these feel like they might be the sort of maps she would want to possess. I also tried to place a few story elements within the landscape; I hope the inclusions will be spotted and appreciated by people who have read the book. My mantra was ‘the more you look, the more you see’!

This was my favourite thing about these maps. I created the world, and yet I can spend ages poring over Howard’s work and picking out details I hadn’t seen before. In fact at times I had to nix a detail or two for fear of spoilers! But there are still plenty of surprises to be found in there.

You can reach Howard on Twitter at @HowardDoesArt.

Cover of The Fey Man by James T KellyAnd if you want to read the novel set within these maps, pick up your copy of The Fey Man today!

★★★★★ – “A must read for fans of epic fantasy”

The Fey Man is available now from Amazon, Apple, Kobo, and Smashwords

Leonardo Leads: Da Vinci at the National Gallery

I’ll be honest. Prior to The Da Vinci Code, my knowledge amounted to “he’s a Renaissance painter and he had a ninja turtle named after him”. The novel taught me a lot more but, with fact mixed in with fiction, it was difficult to know exactly what was true and what was not.

With this in mind, the Leonardo Da Vinci: Painter at the Court of Milan exhibition seemed like an excellent idea. In fact, as my girlfriend is an artist and the exhibition included items that would probably never be seen together again, it seemed necessary! But the tickets sold out in two days, so we were left with queuing for one of the 500 day tickets that were on sale.

I tweeted my experience of the queue, inspired by Betsy Transatlantically. We beat Betsy’s time. We got in the queue at 7:00am and got our tickets at 12:30pm. That’s five and a half hours of queuing!

But it was worth it. It was truly fascinating, a chance to see some of his great works alongside the sketches, studies and doodles that went into their composition. It was enlightening, too, to see some of his students’ work. It’s no exaggeration to say that none of them caught their master’s talent, though they were good in their own right.

My favourite room, though, was dedicated to The Last Supper. The original, of course, was not there; it’s far too fragile to move. Instead there was a print on show and a copy made by one of Leonardo’s students which has survived in much better condition. It was this copy that was used as a reference for the original’s recent restoration. The copy was surrounded by the sketches and doodles that went into the original’s creation, and it allowed me to truly appreciate what a great work it is. And why so much fuss is made over it!

(It was fascinating, too, to learn that the original’s decay is due to Leonardo experimenting with a new form of painting, one which would allow him to make as many revisions as he wanted but that ultimately was unstable and ill-suited to longevity. Even the masters make mistakes.)

The only downside was the attitude of other visitors. Too many of us were crammed into the exhibit and it seemed like the order of the day was selfishness. People would stand in front of exhibits and prevent anyone else from seeing it. Droves of audio-guide wearing cattle lumbered into each other, unaware and uncaring of their neighbours. My temper was quite frayed before the end and some of my internal grumbling did escape to the shock of some.

But if you’re thinking of going, go and go now. The exhibition closes on 5th February! But, if you’re going to go, you must do the following:

Hundreds of people queue to get into the Da Vinci exhibit at the National Gallery• Get there early; as the exhibition comes to a close, I’m sure more and more people will try to get in. We got there at 7:00am and the queue had reached quite a length behind us by 7:30am
• Wrap up warm; it’s so cold at the moment! Wear thick socks, hats, scarfs, multiple layers. Our neighbours had a blanket that I was very jealous of.
• Be friendly; you’ll never make it through the five hour wait if you don’t chat to your neighbours. Everyone seemed very friendly and positive about the experience!
• Check your coats; because there’s so many people in the exhibit, it gets hot fast. Take all the layers you wore for the queue and put them in the cloakroom!

If you go, let me know what you thought. Personally, though my still-cold feet may never forgive me, I found it to be a fantastic and enlightening experience.